bocs

After our constructive weekly meeting (in the pub) our very own David Bailey, Huw Erddyn stormed the bastille of the Jones family home to create the bocs’ very own blow-up featuring the photogenic Sally and the not-so-photogenic Rhys. To hide his hideous appearance, Rhys decided to dazzle the audience with his barrage of electronic junk and miscellaneous instruments.

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From the Wilds of Eastern Tennessee and nurtured in the Big Easy, comes Simeon Coxe the Third. An innovator of Electronic Music and avant garde performance art . His two releases on the Kapp label under the guise of Silver Apples utilized a maelstrom of home made electronic gadgetry, was heralded by the New York Post as “Simple weird magic. It’s pop from outer space”. Yet his influence in the shaping of electronic and Techno forms of music are unquestionable. Not to mention the musical output being a prime example of Performance art and Pop music effortlessly merging together.

Although it may be the Velvet Underground or Elephant Memory that were given the task of entertaining New York’s creative elite in the Factory, Simeon collabortaed with the purveyor of Pop Art in his hey day. So much so Andy Warhol made a print of Simeon, that adorned the cover of one of his later releases.

Simeon Coxe a creative force of inovation via limitation

Simeon Coxe is Rhys Lloyd Jones’ choice for the christmas bocs nadolig exhibition